Obeah
| Combat | Fire |
|---|---|
| Detection | Water |
| Health | Man |
| Illusion | Guidance |
| Manipulation | Task |
| Drain | WIL + CHA |
Obeah is one of several religious and magical traditions
brought to the Americas by the people of Africa. Like
Vodou, Obeah has suffered the persecution of being
perceived as a malignant magical practice by Western
societies. These perceptions are fed by fear of the Obeah
practitioner’s supposed knowledge of poisons and
curses and use of dark, buried charms and blood sacriices.
The name “Obeah” relates to bad magic rooted
in the Ashanti people, whose magicians practiced Obi
(good) and Obeah (bad) sorcery. Obeah has more in
common with Hoodoo and Juju than with Vodou and
Santería or even Palo. Vodou and Santeria center on
venerating the loa and orisha (and in Santería’s case, a
pantheon of Catholic saints as well), going so far as to
use possession as the source of spiritual power. Obeah
respects the loa and orishas but keeps them at arm’s
length, treating them as guides, advisers, and sources
of spiritual energy for sorcery and enchanting while
avoiding the personal commitment and spiritual intimacy
of possession. More than any other belief system
to emerge from Africa, Obeah has a fractured and contentious
past that often put practitioners in conlict—
sometimes violently—with other religions and among
themselves. Currently, for example, there is open conlict
between Obeah magicians and practitioners of
Myal in Jamaica—Myal is a variant of Obeah that has
adopted the Santería tradition of incorporating Catholic
saints in their worship in seeking to attain a deeper
and richer connection with the spirit world.
Practitioners of Obeah employ both plant- and animal-
based reagents in their sorceries and enchantments.
Those most often used within the Zobop are based on
animal blood. While there is no magical difference between
animal blood and other reagents, painting the ritual
circles in blood has a psychological and emotional
impact on the practitioner.
Papa Ebenezer walks the dark alleys near Revolution Square, pickpocketing unsuspecting tourists. With bits of cloth, jewelty, or food wrappers, Ebenezer will put curses on his victims then request payment in order to lift them. His curses are mere illusion and annoying watcher spirits, as his “entertainment license” limits such magic.